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石雕狮子历史渊源（1）
明清时期，陵墓、佛窟雕塑已经逐渐衰落，民间雕塑逐渐成为传统雕塑的主体。其石狮雕刻的特点是：明清石狮雕刻同民间建筑紧密结合，广泛应用在祠堂、会馆、民居、桥梁、牌楼、戏楼等民间建筑中。
During the Ming and Qing Dynasties, mausoleum and Buddhist grotto sculptures have gradually declined, and folk sculptures have gradually become the main body of traditional sculptures. Its stone lion carving features are: Ming and Qing stone lion carving is closely combined with folk architecture, widely used in ancestral halls, assembly halls, residential buildings, bridges, archways, theatre buildings and other folk buildings.
明清石狮雕刻的总体风貌是：构思精巧，刻画细腻，动感较强，形态多变，装饰华丽而繁缛。在民间一些小型石狮雕刻中，却呈现出另外一种淳朴的民间风格，这种小型石狮一般应用于建筑的部件上，如山东单县城内的张家牌楼因雕有大小石狮百个，又称“百狮坊”；也被用作器物、室内陈设、摆件等；还有当作
The overall style of stone lion carving in Ming and Qing Dynasties is: delicate conception, delicate depiction, dynamic, changeable form, gorgeous and complicated decoration. In some small stone lion sculptures, there is another simple folk style. This kind of small stone lion is generally used in building components, such as Zhangjia Architecture in Shandong Shanxian City, which has 100 stone lions of different sizes, also known as "Bailion Square". It is also used as utensils, indoor furnishings, furnishings, etc.
玩具或是某种特定民俗活动的器物。如流行于晋陕黄河流域的拴娃石狮与关中地区的拴马桩石狮，它们是
Toys or objects for a particular folk activity. For example, in the Yellow River basin of Shanxi, Shanxi and Shaanxi provinces, the stone lions with tied dolls and the stone lions with tied horses in Guanzhong area are popular.
小型石狮的代表，呈现出黄土高原特有的稚拙、纯真的民间风貌。
The representative of the small stone lion shows the unique childish and pure folk style of the Loess Plateau.
明清时期，狮子文化的另一个显著特点是：传统狮子形象上升成为一种民族文化符号，在民间文化中，狮子几乎成为祥禽瑞兽的代名词。狮子艺术从佛龛神殿走入普通百姓生活，为各民族大众所喜闻乐见。
In Ming and Qing Dynasties, another remarkable feature of lion culture was that the traditional image of lion rose into a national cultural symbol. In folk culture, lion almost became the synonym of auspicious birds and beasts. Lion art has entered the life of ordinary people from the shrine of Buddhist niches, which is popular among the people of all nationalities.
太狮少狮、狮子滚绣球、狮童进门、回回耍狮子等具有象征寓意题材广泛应用在几乎所有的民间美术品类
The symbolic themes such as Taishi Shaoliu Lion, Lion Rolling Embroidery Ball, Lion Boy Entering the Door, and Lion Back Playing are widely used in almost all kinds of folk art.
中；民间建筑装饰中，门狮、门枕石、柱柮以及桥梁、栏杆、屋顶、影壁上无处不见狮子的形象；还有流
In the decoration of folk buildings, lions, pillow stones, post coffins, bridges, railings, roofs and shadow walls can be seen everywhere.
行于大江南北的狮子舞，儿童的狮头帽、狮头鞋等等。
Lion dancing in the north and south of the Yangtze River, children's lion caps, lion shoes and so on.
During the Ming and Qing Dynasties, mausoleum and Buddhist grotto sculptures have gradually declined, and folk sculptures have gradually become the main body of traditional sculptures. Its stone lion carving features are: Ming and Qing stone lion carving is closely combined with folk architecture, widely used in ancestral halls, assembly halls, residential buildings, bridges, archways, theatre buildings and other folk buildings.
明清石狮雕刻的总体风貌是：构思精巧，刻画细腻，动感较强，形态多变，装饰华丽而繁缛。在民间一些小型石狮雕刻中，却呈现出另外一种淳朴的民间风格，这种小型石狮一般应用于建筑的部件上，如山东单县城内的张家牌楼因雕有大小石狮百个，又称“百狮坊”；也被用作器物、室内陈设、摆件等；还有当作
The overall style of stone lion carving in Ming and Qing Dynasties is: delicate conception, delicate depiction, dynamic, changeable form, gorgeous and complicated decoration. In some small stone lion sculptures, there is another simple folk style. This kind of small stone lion is generally used in building components, such as Zhangjia Architecture in Shandong Shanxian City, which has 100 stone lions of different sizes, also known as "Bailion Square". It is also used as utensils, indoor furnishings, furnishings, etc.
玩具或是某种特定民俗活动的器物。如流行于晋陕黄河流域的拴娃石狮与关中地区的拴马桩石狮，它们是
Toys or objects for a particular folk activity. For example, in the Yellow River basin of Shanxi, Shanxi and Shaanxi provinces, the stone lions with tied dolls and the stone lions with tied horses in Guanzhong area are popular.
小型石狮的代表，呈现出黄土高原特有的稚拙、纯真的民间风貌。
The representative of the small stone lion shows the unique childish and pure folk style of the Loess Plateau.
明清时期，狮子文化的另一个显著特点是：传统狮子形象上升成为一种民族文化符号，在民间文化中，狮子几乎成为祥禽瑞兽的代名词。狮子艺术从佛龛神殿走入普通百姓生活，为各民族大众所喜闻乐见。
In Ming and Qing Dynasties, another remarkable feature of lion culture was that the traditional image of lion rose into a national cultural symbol. In folk culture, lion almost became the synonym of auspicious birds and beasts. Lion art has entered the life of ordinary people from the shrine of Buddhist niches, which is popular among the people of all nationalities.
太狮少狮、狮子滚绣球、狮童进门、回回耍狮子等具有象征寓意题材广泛应用在几乎所有的民间美术品类
The symbolic themes such as Taishi Shaoliu Lion, Lion Rolling Embroidery Ball, Lion Boy Entering the Door, and Lion Back Playing are widely used in almost all kinds of folk art.
中；民间建筑装饰中，门狮、门枕石、柱柮以及桥梁、栏杆、屋顶、影壁上无处不见狮子的形象；还有流
In the decoration of folk buildings, lions, pillow stones, post coffins, bridges, railings, roofs and shadow walls can be seen everywhere.
行于大江南北的狮子舞，儿童的狮头帽、狮头鞋等等。
Lion dancing in the north and south of the Yangtze River, children's lion caps, lion shoes and so on.
